Reviews

“Beautifully edited. Go see this movie!” – Joey Buttafuoco

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“a subversive mash-up that unspools like a Lifetime movie fever dream, with its labyrinth of duplicating lurid set-pieces taking on the tone of a noirish nightmare, reaching a frenzied schizo climax that would make Brian De Palma proud” – Wall Street Journal (quoting Videology curator Andrew Miller)

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“a Rashomon-like retelling of a story which didn’t really need to be told in the first place” – SF Weekly

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“a campy, crazy-quilt film that mashes up the best (and worst) moments of all three docu-dramas” – San Francisco Bay Guardian

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“A triple dose of tabloid titillation!” – Netflix

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“fascinating,” “audacious,” “Early ’90s tabloid trash + made-for-TV junk + Final Cut Pro = metafictional melodrama” – SF Weekly

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“I was at the Austin screening last night and my friend and I were in tears for most of this, so fucking hilarious! “Triple Fisher” (like “The Room” and “Miami Connection”) has entered the realm of movies I show to anyone who hasn’t seen it! Loved it!” — James Vianes, KEYE-TV (CBS42)

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“The most compelling film on Amy Fisher ever made. American tabloid sleaze at its very best. Kapelovitz has created a new genre – The ’90s Movie Collage Mashup!” –Hans Feuersinger, screenwriter of “Assassin’s Bullet”

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“Genius in triplicate cubed!!!” – Tim Wilson, apprentice editor of “Dr. Giggles”

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“The best film of the year? Maybe.” – Dan Kaufman, Ph.D., Associate Professor of Philosophy, Colorado University at Boulder

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“Fantastic! Seriously, one of the best films I’ve seen this year. I laughed, I cried, I think I wet myself a little during the dramatic parts. But I mostly laughed. Kudos.” – Sean Ryan, CEO of Permanent Record Studios

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“epic” “masterpiece” “nails it” – Westword

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“I have not laughed that hard in years…. If any one gets the chance, pirate a copy.” – Robert D. Garner

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“A sexy, scary thrill-ride!” — David Manning, fictional film critic of the Ridgefield Press

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“one monster melodrama” — Willamette Week

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“A cinematic law review article on copyright law’s Fair Use doctrine. ” — Forbes (quoting the filmmaker)

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“[A] fuller portrait of the underage siren and all the sordid goings-on.” – Austin Chronicle

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“it’s edited brilliantly. All the flashbacks, flash forwards, and flash sideways will make you think you’re watching a goddamned Malick.” – Timcop, Letterboxd.com

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“Kapelovitz reedits the three Amy Fisher TV movies into one mind-blowing, crosscutting extravaganza.” – TimeOut.com

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“a three-way mashup of the films that seeks to paint, what is most likely, the clearest picture we’ll ever hope to get of the scandal – and the media beast that sought to portray it.”  – Cinedelphia.com

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“will surely go down in history as a thing”  –  Graham Williamson, Letterboxd.com

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“Triple Fisher blows the lid off the world of ‘based on a true story’”   –  Julius Kassendorf, TheOtherFilms.com